Tracey Cooper-Posey

 
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About Tracey...

G’day.  I’m a national award winning romantic suspense author and recently I released my 29th title.  I write sweet as well as hot and spicy romances, and I’ve set them in locations all around the world, including my birth nation, Australia.  I don’t actually live there any more.  Just over a decade ago, I met a Canadian man on line, fell in love and moved to Alberta.  I’m still here.  Mark is a professional wrestler (yep, you read that right), and has also been in the Romantic Times Mr. Romance contest three or four times, so he’s familiary with the romance industry, too.   We attend conferences once or twice a year, and I write novels whenever the rest of the world will leave me alone long enough to finish them.

   
 
Betting with Lucifer

New York cop Sherry Abandonato cashes in her savings and dashes to Ningaloo in remote northwest Western Australia to find her sister who disappeared ten days ago. The only one with the skill to guide her to Derremawan is Mason Hayward, once an official guide with a reputation for getting people out of trouble, but now the town’s bad man.

In a searing afternoon of unexpected passion, Mason strikes a bargain. He’ll get her to Derremawan, if she agrees to go there with him unconditionally, on his terms and his conditions.

Sherry is astonished to find herself agreeing to the insane bargain, and worse, responding positively to the idea of three days of Mason Hayward dictating terms out under the Australian sun.

 

 

Available December 10, 2009 - Click here  
 

Tracey around the web...

 

     
 
Solstice Surrender

Jenna MacDonald, cynic extraordinaire, flees to Banff, Canada, for the holiday season to lick her wounds in private after an assignment takes a tragic turn. But trouble manages to find her even in the heart of the Canadian Rockies. A mystery-clad stranger called Rhys Cellyn exerts a powerful influence over her mind and her body, while Jenna struggles to stay afloat in the mythical world he plunges her into. Time is against her, for at the moment of the winter solstice she must make a fateful choice.

 

 

Available December 16, 2009 - Click here  
 
Ningloo Nights

 

New York cop Sherry Abandonato cashes in her savings and dashes to Ningaloo in remote northwest Western Australia to find her sister who disappeared ten days ago. The only one with the skill to guide her to Derremawan is Mason Hayward, once an official guide with a reputation for getting people out of trouble, but now the town’s bad man.

In a searing afternoon of unexpected passion, Mason strikes a bargain. He’ll get her to Derremawan, if she agrees to go there with him unconditionally, on his terms and his conditions.

Sherry is astonished to find herself agreeing to the insane bargain, and worse, responding positively to the idea of three days of Mason Hayward dictating terms out under the Australian sun.

 

Available Now - Click here

Peek inside Ningaloo Nights...

         In only three days Sherry had already got used to laid-back Australians but stark-naked ones were definitely a novelty. Especially this Aussie.

She hadn’t been expecting anything quite so…beautiful—not emerging from such a place as this. The shed she had stepped around looked like it had been slapped together with nails and sheets of rusted corrugated iron. When she peeked inside it on her way around to the rear, it was clear that the man she was seeking did indeed live in it, for there was a cot and an old mattress and a folding card table and a few basic living amenities. Very basic. She’d felt a long way from New York at that moment, despite some of the tenements she patrolled being just as run-down and unloved.

She’d heard sounds beyond the shed and rather than step inside, she’d moved around it, for the smell coming from inside the quarters had been less than savory. No wonder the sergeant at the tiny Ningaloo police station had been so reluctant to give her the man’s name.

Mason Hayward.

Sherry stared at the naked man now, the heat of a torrid February morning forgotten as she watched him reach up to the bucket hanging over his head and pull on the rope attached to the lip at the bottom and running up through the same hook that held the bucket.

Water poured over his black hair, dousing him from head to foot, every inch well-tanned. He stood easily six foot two inches and as he controlled the flow of water from the bucket, Sherry assessed his physical fitness, running her gaze over the tight buttocks, the satin-sheened skin spreading over agreeable, wide back muscles as they worked under very little disguising fat. Long legs. The well-developed muscles clenched as he turned. His chest was as pleasing as his back, with hard pecs and heavy shoulders. The biceps were flexed, iron-hard.

As a New York cop, Sherry had long ago lost all shyness around the locker room and her assessing gaze flowed smoothly to his cock and testicles. He was all male, well endowed in a way she had rarely seen.

“Should I be charging admission?” His voice was deep, with a gravelly timbre and the tone was dry and completely devoid of amusement.

She jumped guiltily and forced her gaze to his face. He had eyes the same light blue as the Australian summer sky—transparent and depthless. “I’m sorry—” she began, then halted. There was no way to explain what she had been doing. What had she been doing? She was aware of her heart thudding in a way that she’d almost forgotten. How long had it been since she had felt this sort of racing charge? Abruptly, she became aware of the heat of the day again. It was beating at her temples, making her sweat. The heat was a live thing, curling around her, throbbing in time with her heartbeat.

He reached for a ratty brown towel hanging over a piece of wire hooked into the gutter next to his head. It was a casual movement. He wasn’t trying to cover himself up. Her presence here hadn’t caused him any concern at all. He wrapped the towel around his hips and tucked the corner in to secure it. “If you’re looking for Ningaloo, you need to turn around and head south about five kilometers. You’ve passed it already.” The heat didn’t seem to be bothering him at all but he hadn’t just flown out from the depths of a New York winter, either.

“I’m looking for you,” she told him.

His brow lifted and he smiled, showing white, even teeth. “My lucky day.”

“You’re Mason Hayward, aren’t you?”

Abruptly the smile was gone. He looked up at the sky, shut his eyes briefly, as if reaching for calm. “Bugger it,” he said softly. His gaze, sharp and assessing, fell on her face once more. “Who sent you?” he demanded.

His on-point sharpness surprised her. “H-he made me swear not to tell anyone.”

Anger flicked at his features. “What do you want, then?”

Her gut clenched in response. She had faced down killers with more calm than this. Mason Hayward was radiating fury and danger but of a kind she had no experience with and her Glock was back home in New York. “I need you to take me to Derremawan,” she said quickly, trying to appease him with the answer he wanted. “None of the registered guides will take me there.”

His eyes narrowed. “Derremawan,” he repeated softly and gave a short, sharp exhalation. “Why there, for god’s sake?”

She stared, astonished. “You don’t know why?”

He grimaced. “Indulge me.”

“My sister—” She blinked furiously, fighting back the flood of tears that threatened every time she tried to speak of it. “My baby sister, Pepper, disappeared ten days ago. In her last text message to me, she said she and her boyfriend were going up the trail to Derremawan. The local authorities…they haven’t closed the file but they aren’t pursuing the matter, either. They looked along the trail with a helicopter and they found the car but no…no bodies. And that was the extent of their investigation.”

“So you flew out here from America to do what?” His eyes were drilling her now. It was uncanny the way they seemed to pierce right through her. She knew she should resent the heavy-handed examination but she needed Hayward, so she answered truthfully.

“I’m here to find her.”

He shook his head. “Go home, lady. I’m sorry about your sister but the cops are right. After ten days, they’ll have been out of water long enough to be dead, no matter what.”

“I know that,” Sherry told him as evenly as she could, although the admission wrenched at her. The tears blurred her sight and she blinked again. “I’m not stupid, Hayward. I know I’m a Yank and all that but I know that much. I said I wanted to find her. Not save her. I just want to find her and find out what happened to her. I think—no, I know that foul play was involved.”

His head tilted as he looked at her. “Are you a cop?”

“As it happens, yes, I am. Why?”

“You talk like one. ‘Foul play?’ Do you know the chances of that happening around here? Where are you from in the States?”

“New York,” she said, gritting her teeth against her rising resentment over his casual dismissal and the arrogance behind it. It wasn’t her fault she wasn’t born here.

He crossed his arms. “You’ve got over two thousand people per square kilometer there. Here, the official count is less than half a person. If you really think someone was up to no good out there at Derremawan, the chances that a third person came along and did ’em in are laughable. So that just leaves the boyfriend.”

His gaze would not leave her alone. He was skewering her. Making her writhe with guilty shame. Because that had been exactly what she had been thinking on the long, long trip from New York to L.A., to Shanghai, to Singapore, to Perth, then back up to Ningaloo. She had never trusted Ryan to do right by Pepper. Not at all. And her fury had sustained her all the way here.

“I’m betting your parents are both dead and they died a while ago,” Mason Hayward added softly. “And you’ve been mum and dad to your little sister since then.”

She jumped. She couldn’t help it. “Fuck you and the motherfucker who bore you,” she spat, her voice thick with more tears and turned to go. She would find someone else. Anyone but this asshole.

“Wait,” he said gently, his hand on her elbow. “Wait a minute.” He didn’t hurt her but he halted her just the same. There was no arguing with the forced behind his hold.

She kept her head down to hide her tears. Those, she would not let him see.

“How much money have you got?” he said.

Money. She had been warned it would come down to money with him but the confirmation filled her with an inexplicable sadness. She mentally converted the wad of US dollars she had stashed away and said warily, “The equivalent of about two thousand Australian.”

“That’s not going to be enough.”

She looked at him—tears be damned. “No wonder this town hates you. You can add one more to the tally, Hayward. You’ve got the sensitivity of a pack mule.”

She wrenched her elbow out of his grip and walked away from him.

     
 
Dead Double

 

A reclusive Iranian genius will give the west the secrets to cold fusion, but only to Micky Wilde, who once charmed him.  But Micky is dead.  Logan Wilde is forced by his organization to used Sahara Taylor-Hughes, who is Micky’s double only in appearance.

Sahara’s gentle soul puts Logan in an agonising dilemma.  How can he equate the appearance of the woman he hated with the woman he’s falling in love with?

As Sahara is drawn deeper into the operation and closer to Logan, she battles her own history: everyone she has ever loved has died and left her alone, and Logan works in a field where life can be brutally cut short.  Can she give her heart to this man?

Zaram, a renegade terrorist, learns of the cold fusion plans.  He will hold the western world to ransom if he gets them first.  Logan must help Sahara beat Zaram, collect the plans, and make sure she stays alive, or else lose his mind…and his heart.

 

 

Available March 11, 2010 - Click here  
 
   

Coffee talk with Tracey ...

 

At fourteen you wrote a sequel of your teen idol, Harrison Ford. What was it about Star Wars and Han Solo that grabbed you as a girl/woman and more specifically as a writer?

Apart from the fact that in 1978, when Star Wars first came out, he was freakin’ gorgeous, and playing a bad, bad boy that was just asking to be brought down by love?  You have to remember at the time, blond surfer dude cute toy boy heroes were consider the antz pantz of the day.  Sun tans, glowing white teeth and freckles was hot.   Laid back was hot.

So along comes Han Solo/Harrison Ford with dark smouldering intense “don’t mess with me” attitude, an implied very bad boy history, a loner, not a freckle, blond lock or sun tan anywhere in sight, and he was more mature than the surfer dudes we’d be handed up until then...and I was hooked.   Hard and fast.

Then, two years later, Harrison Ford and George Lucas between them did that infamous “I know” scene in the sequel, and I’ve been writing ever since to try and recreate that look Harrison Ford pulled off, and the emotional intensity of that very, very short scene.  Only to make it longer, make it more intense, to make it last.

You say you put your hero and heroine through hell writing what most publishers deem romantic suspense. What is it about this characterization that you like so much?

The possibilities for extentuating the romantic conflict and making it really bad.  In contemporary romance, there’s only so many things that can go wrong to keep the hero and heroine apart for the length of the book, before it starts looking silly and contrived and a bit like a soap opera.

But when you write a romantic suspense, the stakes automatically go up.  Suddenly, death steps on stage.  Far worse thing can happen to the hero and heroine than mere separation.  Their loyalties and their love can be tested far more severely in romantic suspense situations.

You mention that publishers want authors to put themselves in a slot, so you consider yourself a romantic suspense author. However, later you categorize your books in a different way. Do you find yourself quite frequently fighting the consensus that states you need to conform? Do you consider yourself a rebel of sorts? (Personally, I think it is awesome!)

Yes and no...and sort of.  I began writing merely with the intention of getting published.  I didn’t care what I was writing, I just wanted to be published.  I started out writing category romances because that was what everyone around me was writing at the time, and I thought (idiot me) that it would be easier to be published writing those.  But six manuscripts in, I thought maybe I should try my hand at historical romances as I really like reading them, so I swapped over.  A couple of manuscripts in, I stopped to reconsider, and swapped over to romantic suspense, and wrote a few of those, then stopped to reconsider.  Then out of the blue I started selling manuscripts.  But of course, I didn’t sell the books as I wrote them.  I was selling from across the back list of manuscripts I had already written, which mean a contemporary here, an historical there. 

It just about killed my career, because I’d build up a readership for one book, and kill it with the next because the next wasn’t the same genre as the last.

So I finally got it through my thick head that I’d better settle down and write – or at least market myself – in just one primary subgenre. 

I’ve published many books, and despite the imprints and sub-categories that get stamped on their spine, they are all at heart adventure stories wrapped around industrial strength romances, so I decided that I’m really a romantic suspense writer in the end.  And for the last few years I have happily settled down to writing true romantic suspense and filling out that category shelf properly (there were already many on there).

I get tugged away from that category every now and again, but I will go back there constantly.  I like it there. 

My mother met her husband (my step-dad) through the personal ads in the flint newspaper. I think it is wonderful when you hear stories about people making it via the web or other formats of the media. Did you find that you were able to get to know your husband better this way, without the physical attraction being present first?

Absolutely.  Both Mark and I have admitted that neither of us are the type of people we would have gravitated towards at a party, had we met as strangers fourteen years ago.  You know that saying about how you’re drawn to people like your parents?  Well, Mark’s mother is pettite and blonde...and I’m not.  And Mark is blond and a professional wrestler, and I don’t like wrestling...and you can see that on the surface we appear to have nothing in common.  But we’ve been together for nearly fourteen years now and we’re very happy.  And it’s absolutely because we had a year to establish a personal relationship via the internet and get to know each other first.

Getting back to your sequel writing in your teen years, I have another question about writing sequels. Not including the Star Wars movies (because that would be an easy answer), is there any other movie you have seen more recently where you have wanted to rewrite the ending or maybe even write a sequel? Why?

There’s a lot of movies I love where I would like to write a sequel just to stay in that universe, and visit with the characters longer.  I’m sure that’s why people write fanfic, just so they can hang around with the cool characters longer. 

I also know I would re-write the ending to Message in a Bottle because that was one of the most unnecessary endings to a movie that I can think of.  There was no justification in terms of character or story for ending it that way.  The only reason I can possibly think of for ending the movie that way is that the writer of the book didn’t want to get lumped with a happy ending and get labelled as a romance writer.  I honestly can’t see why he ended the story the way he did.  It makes no sense whatsoever, and I refuse to watch the movie any more even though we own it. 

However, if you’re offering, I’d love to write the next James Bond movie...  I could so write that!

You have Betting with Lucifer coming out in December. This novel was originally published as Lucifer’s Lover. Did you want to tell the reader’s a little about the novel?

I have a genuine soft spot for this story.  It start out as an idea I had for story about two characters who start out not able to get along with each other.  Not hating each other, but genuinely not able to understand each other.  Complete mysteries to each other and uncomfortable with each other.  I get tired, sometimes, with romances where it’s always pow, instance attraction, instant drool, instant erection.  I wanted the relationship to develop slowly and get dragged kicking and dragging into existence, and then it would feel like a real relationship, one that would be deeper and hotter and harder and more meaningful when the conflict hit...which it does—it always must in a romance.

Here’s the blurb:

Lindsay is determined to outshine the memory of her mother's illustrious career. As head of the marketing department of the exclusive Freeman Hotel, high up in the rarified mountain air of northern Washington, she grapples with her rival -- the charming newcomer, Lucifer Furey Pierse. 

No one knows much about Luke except that he could turn a murder into a side-splitting comedy routine, and that he has an eye for women, including an inexplicable attraction for the prickly, definitely not-interested Lindsay. 

It starts with a bet that goes horribly wrong.  If Lyndsay wins the bet, then Luke leaves town—forever.  If Luke wins the bet, he gets a date with Lyndsay.  But when Luke wins the bet and Lindsay is forced to pay the price, she learns more about Lucifer Furey Pierse than she thought existed...and the process of discovery for both of them becomes a bitter-sweet journey through their personal histories as they learn why they are the people they have become.

Then life hands them an unexpected twist that they must deal with...one that tests both of them to the limit. 

I have to say I love the synopsis of this novel. Without having read it, I can already feel the push-pull emotions between Luke and Lindsay. What was it about this novel that had you going back to it and finishing it even though you figured the publishers wouldn’t look at it twice?

I got to know Luke and Lyndsay well enough a few chapters in...there’s a scene where she’s lost her bet, and he gets his date, and Luke is supposed to be this superstar salesman and he could have spent the evening just crowing all over her about having won, and giving her hell for losing the bet.  I won’t spoil it, but there’s a moment right at the end of the evening when he could have been a typical alpha male and taken control of the evening and kissed the hell out of her, but he didn’t.  Heck, it even surprised me when I wrote it.  I sat back after I wrote it and thought “yeah, that’s right, he would do that!”

That’s when I knew I had to finish the book.

And because I am still on this movie kick, I have one more fun question for you. Say a big time producer came up to you and stated he was going to make a movie out of your life. He wants you to pick the actor and actress to portray you and your husband. Who would you pick to play your husband? Who would you pick to play you? And why?

Mark is dead easy.  Hunter Hurst Hemsley, or as he’s known these days.  “Triple H.” From the WWE.  He’s already doing movie roles, and Mark is mistaken for him all the time.  Or Mickey Rourke, if you have to have an actual actor, as he knows how to bodyslam a person. Me...well, that’s a bit more difficult.  Possibly Catherine Zeta Jones...or is that way too ambitious? 

 
Other Works by Tracey...
 
     
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